Klare Lanson person, digimum, performance poet
︎ ︎ ︎ ︎  <- social system of tools and emotional labour.   tick tick ->


Palmer, Daniel, and Grace McQuilten (eds.). (forthcoming). The World We Want: Dystopian and Utopian Impulses in Art Making. Bristol: Intellect.

Sandberg, Claudia. 2021. Peter Lilienthal: A Cinema of Exile and Resistance. New York: Berghahn Books.

Hjorth, Larissa, de Souza e Silva, and Klare Lanson (eds.). 2020. The Routledge Companion to Mobile Media Art. New York; London: Routledge.

Hjorth, Larissa and Ingrid Richardson. 2020. Ambient Play. C.A., Mass: MIT Press.

Horst, Heather et al. 2020. Digital Media Practices in Households: Kinship through Data. Amsterdam: Amsterdam University Press.

Hjorth, Larissa, Harris, Anne, Jungnickel, Kat, and Gretchen Coombs. 2019. Creative Practice Ethnographies. Maryland: Lexington Books.

Hjorth, Larissa, and Sam Hinton. 2019. Understanding Social Media, 2nd Edition. London: Sage.

Manyozo, Linje. 2017. Communicating Development with People. New York; London: Routledge.

Hjorth, Larissa, Horst, Heather, Galloway, Anne, and Genevieve Bell. 2016. The Routledge Companion to Digital Ethnography. New York; London: Routledge.

MISCELLANEOUS: 2 x ARC grants, 2 x MA theses, 13 x PhD theses. Multiple reports,  journal articles and book chapters. 2015–current.